Approved Syllabus · Latin American Style
| Abbreviation | Meaning |
|---|---|
| B | Ball (of foot) |
| BF | Ball (of foot) Flat |
| Basic (A) | Basic with alternative bounce |
| Basic (B) | Basic with basic bounce |
| C | Centre |
| CBP | Contra Body Position (CBMP) |
| CP | Closed Position |
| CPP | Counter Promenade Position |
| DC | Diagonal Centre |
| DW | Diagonal Wall |
| FP | Fan Position |
| HF | Heel Flat |
| I/E | Inside Edge |
| L | Left |
| LF | Left Foot |
| LOD | Line of Dance |
| LSP | Left Side Position |
| OP | Outside Partner |
| Open P | Open Position |
| P | Position |
| PO | Partner Outside |
| PP | Promenade Position |
| R | Right |
| RF | Right Foot |
| RSP | Right Side Position |
| TP | Tandem Position |
| T | Toe |
| W | Wall |
| WF | Whole Foot |
Alignment is the position of the feet in relation to the room. Given as Facing and Backing when feet and body are in line, and Pointing when the foot has a different alignment to the body.
Alignment is of importance in progressive dances such as Samba and Paso Doble. Cha Cha Cha, Rumba and Jive are non-progressive dances.
Amount of turn is measured between the feet and expressed as a fraction of a circle.
The direction of the turn should be included in answering questions on amounts of turn (for example, ¼ R, ½ L, etc). Many figures in Latin are flexible in the amount of turn that can be applied, so it is quite normal to see amounts of turn such as ¾ to R over steps 5-8.
Contra Body Movement is the turning of the opposite side of the body towards the moving foot, which is moving forward or back. It is usually used to initiate turn.
CBM is seldom used in Latin, but the term CBMP (below) is used, and it is extremely important for all students to have a clear understanding of the difference between the two. CBM is a body action, while CBMP is a foot position.
Contra Body Movement Position is a foot position where the foot is placed on or across the line of the supporting foot, either in front of or behind the supporting foot.
The term Contra Body Position has been used in the charts to provide a clearer distinction between this foot position and Contra Body Movement.
Footwork describes the part of the foot that is in contact with the floor.
Usually given as 'T' (toe) or 'BF' (Ball Flat), but there are times when it is desirable to be more descriptive, such as 'IE' (Inside Edge).
Foot Position is the position of one foot in relation to the other.
This is generally described in terms such as Right Foot Forward, Left Foot to the Side, etc. Other foot positions include PP (Promenade Position), OP (Outside Partner) and Contra Body Position.
Line of Dance is an imaginary line drawn around the outside of the dance floor in an anti-clockwise direction.
The speed at which music is played, measured in bars per minute.
This measurement of music in bars per minute is unique to dancing, as musicians measure music in beats per minute. For example, a Rumba played at 27 bars per minute would equate to 108 beats per minute for a musician.
Time Signature is a musical notation which defines the number of beats in a bar of music (top number), and the type of note that makes up the bar (bottom number).
For DanceSport Australia competitive events.
| Dance | Tempo | Time Signature |
|---|---|---|
| Cha Cha Cha | 30 bars per minute | 4/4 |
| Samba | 50 bars per minute | 2/4 |
| Rumba | 27 bars per minute | 4/4 |
| Paso Doble | 62 bars per minute | 2/4 |
| Jive | 44 bars per minute | 4/4 |
It should be noted that while DanceSport Australia lists these speeds as recommended, many dancers and coaches prefer much slower speeds for practice.
The tempi above are single recommended values. Rule 22.2 of the Rules of DanceSport expresses the recommended Latin tempi as ranges; each value above falls within the corresponding range in that rule, which remains the authority for competition.
Stand feet apart, facing partner approximately 15cm apart, with the head erect, the body naturally upright and shoulders relaxed.
The Man's right hand is placed on the Lady's left shoulder blade, and the Lady's left arm rests lightly on the Man's right arm, following the curve of his arm to the shoulder. The Man's left hand is raised in a gentle curve to the level of the eyes. The Lady's right hand is placed in the Man's left hand with her fingers between his thumb and first finger. The hands are lightly clasped.
Facing partner, slightly apart, and normal hold.
Alternative holds may be:
Facing and away from partner, approximately at arm's length. Man's left hand holding Lady's right hand.
Alternative holds may be:
Lady at right angle to Man, to his left side, on an imaginary line approximately 15cm in front of him. Man's left hand holding Lady's right hand.
Lady on Man's right side, with the Man's right and Lady's left sides towards each other, slightly apart, and the opposite side of the body turned outward to form a 'V' shape.
Same as Promenade Position, but may be danced with the following holds. Distance apart will vary depending on the figure danced.
Alternative holds may be:
Lady on Man's left side, with the Man's left and Lady's right sides towards each other, slightly apart, and the opposite side of the body turned outward to form a 'V' shape.
Lady on Man's right side, slightly forward, both facing the same way. Man's right hand on Lady's right shoulder blade, Man's left hand holding Lady's left hand.