Differences

This shows you the differences between two versions of the page.

--- syllabus:approved_syllabus [2026/06/23 12:49] – [Latin American Style] dallas
+++ syllabus:approved_syllabus [2026/08/18 14:09] (current) – [Latin American Style] dallas
@@ Line 18: / Line 18: @@
 By focusing on these basic figures during their formative introduction to DanceSport, new competitors — and Juvenile competitors in particular — can build a firmly entrenched understanding of the technical aspects of all three styles. This grounding becomes a solid foundation for a successful progression through the grades and helps in mastering more complex figures later on.\\
-Many technique books and online sources exist, and their descriptions of figures often vary. For this reason, DSA has chosen to publish a single point of reference for the approved figures. This edition of the Approved Syllabus provides a script for each approved figure, which Chairpersons and Adjudicators will use when determining the validity of a competitor's choreography.\\
+Many technique books and online sources exist, and their descriptions of figures often vary. For this reason, DSA has chosen to publish a single point of reference for the approved figures. This edition of the Approved Syllabus provides a definition for each approved figure, which Chairpersons and Adjudicators will use when determining the validity of a competitor's choreography.\\
-The approved technique books remain the reference for matters such as footwork, rise and fall, and so on; however, the figures and timings published in these rules are the overriding authority on what is permitted in competition.
+Each definition specifies the **Start**, **Finish** and **Timing** to be used for each figure. Permitted variations to the figures are given in the NOTES below the definition. The approved technique books remain the reference for all other aspects of that figure, such as footwork, rise and fall, and so on; however, the figures and timings published in these rules are the overriding authority on what is permitted in competition.
 \\
 \\
@@ Line 27: / Line 27: @@
 ===== The following Rules apply to all dances =====
-  - Each figure has a description of the first step (Start) and last step (Finish).
+  - Each definition has a description of the first step (Start) and last step (Finish).
   - The basic timing is given. The notes below each figure give you the alternative possible timings.
-  - Any changes allowed to the figures are given in the NOTES below the figure.
+  - Permitted variations to the figures are given in the NOTES below the definition.
   - Figures must be danced in their entirety; figures can't be freely cut into parts for use. A figure can't be added to or parts taken away, unless specifically allowed in the NOTES.
   - The precedes and follows are not given.
   - Only the listed figures on the Approved Syllabus can be used.
+  - For details not described in the definition, refer to the approved technique books.
 \\
 ===== Standard Style =====
-**The approved technique books for the syllabus are:**
-  - The Ballroom Technique - Imperial Society of Teachers of Dancing
-  - The Technique of Ballroom Dancing - Guy Howard
-  - The Viennese Waltz Technique - Imperial Society of Teachers of Dancing
-  - The Viennese Waltz - Neville Boyd OAM
-  - WDSF Technique Books - Waltz, Tango, Viennese Waltz, Foxtrot, Quickstep
 **Dances**
   * [[syllabus:waltz:|Waltz]]
   * [[syllabus:tango:|Tango]]
+  * [[syllabus:vwaltz:|Viennese Waltz]]
   * [[syllabus:foxtrot:|Foxtrot]]
   * [[syllabus:quickstep:|Quickstep]]
-  * [[syllabus:vwaltz:|Viennese Waltz]]
 \\
 ===== Latin American Style =====
-**The approved technique books for the syllabus are:**
-  - Latin American Dancing - Imperial Society of Teachers of Dancing
-  - The Laird Technique of Latin Dancing - Walter Laird
-  - WDSF Technique Books - Samba, Cha Cha Cha, Rumba, Paso Doble & Jive
 **Dances**
+  * [[syllabus:latin_intro:|Latin Introduction]]
   * [[syllabus:chacha:|Cha Cha Cha]]
   * [[syllabus:samba:|Samba]]
@@ Line 91: / Line 81: @@
     * are permitted a reasonable relaxation of hold for the purpose of style and expression. The Technique (e.g. alignment, timing, positions of feet, amount of turn etc) must be maintained in all instances.
   - Reasonable relaxation allows for a release or relocation of the hand contact whilst retaining the general line or shape of categorised hold. It does NOT extend to the adoption of a different hold or the use of "NO HOLD" where a hold is described as part of the technique in the publications accepted as reference manuals by DSA.
+\\
+===== Reference =====
+  * [[syllabus:beyond:|Figures Beyond the Approved Syllabus]] — figures recorded for reference that are **not** part of the Approved Syllabus.