syllabus:approved_syllabus
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| syllabus:approved_syllabus [2026/06/23 12:41] – [Introduction] dallas | syllabus:approved_syllabus [2026/08/18 14:09] (current) – [Latin American Style] dallas | ||
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| By focusing on these basic figures during their formative introduction to DanceSport, new competitors — and Juvenile competitors in particular — can build a firmly entrenched understanding of the technical aspects of all three styles. This grounding becomes a solid foundation for a successful progression through the grades and helps in mastering more complex figures later on.\\ | By focusing on these basic figures during their formative introduction to DanceSport, new competitors — and Juvenile competitors in particular — can build a firmly entrenched understanding of the technical aspects of all three styles. This grounding becomes a solid foundation for a successful progression through the grades and helps in mastering more complex figures later on.\\ | ||
| - | Many technique books and online sources exist, and their descriptions of figures often vary. For this reason, DSA has chosen to publish a single point of reference for the approved figures. This edition of the Approved Syllabus provides a script | + | Many technique books and online sources exist, and their descriptions of figures often vary. For this reason, DSA has chosen to publish a single point of reference for the approved figures. This edition of the Approved Syllabus provides a definition |
| - | The approved technique books remain the reference for matters | + | Each definition specifies the **Start**, **Finish** and **Timing** to be used for each figure. Permitted variations to the figures are given in the NOTES below the definition. |
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| ===== The following Rules apply to all dances ===== | ===== The following Rules apply to all dances ===== | ||
| - | - All technical details | + | - Each definition has a description |
| - | - The basic timings are given, any alternative timings | + | - The basic timing is given. The notes below each figure give you the alternative |
| - | - Any changes allowed | + | - Permitted variations |
| - | - Figures must danced in its entirety, figures can't be freely cut into parts for use. A figure can't be added to or parts taken away, unless specifically allowed in the NOTES. | + | - Figures must be danced in their entirety; figures can't be freely cut into parts for use. A figure can't be added to or parts taken away, unless specifically allowed in the NOTES. |
| - | - Standardised holds, body positions | + | - The precedes |
| - | - Precedes & Follows listed in technique books must be adhered to. | + | |
| - Only the listed figures on the Approved Syllabus can be used. | - Only the listed figures on the Approved Syllabus can be used. | ||
| + | - For details not described in the definition, refer to the approved technique books. | ||
| + | \\ | ||
| ===== Standard Style ===== | ===== Standard Style ===== | ||
| - | |||
| - | **The approved technique books for the syllabus are:** | ||
| - | |||
| - | - The Ballroom Technique - Imperial Society of Teachers of Dancing | ||
| - | - The Technique of Ballroom Dancing - Guy Howard | ||
| - | - The Viennese Waltz Technique - Imperial Society of Teachers of Dancing | ||
| - | - The Viennese Waltz - Neville Boyd OAM | ||
| - | - WDSF Technique Books - Waltz, Tango, Viennese Waltz, Foxtrot, Quickstep | ||
| - | |||
| - | |||
| - | |||
| - | **Key to following figures** | ||
| - | |||
| - | * Figures in **BLACK** are in both ISTD & WDSF technique books & Syllabus | ||
| - | * Figures in **RED** are only in ISTD technique book & Syllabus | ||
| - | * Figures in **BLUE** are only in WDSF technique book & Syllabus | ||
| **Dances** | **Dances** | ||
| - | |||
| * [[syllabus: | * [[syllabus: | ||
| * [[syllabus: | * [[syllabus: | ||
| + | * [[syllabus: | ||
| * [[syllabus: | * [[syllabus: | ||
| * [[syllabus: | * [[syllabus: | ||
| - | * [[syllabus: | + | |
| \\ | \\ | ||
| ===== Latin American Style ===== | ===== Latin American Style ===== | ||
| - | |||
| - | **The approved technique books for the syllabus are:** | ||
| - | |||
| - | - Latin American Dancing - Imperial Society of Teachers of Dancing | ||
| - | - The Laird Technique of Latin Dancing - Walter Laird | ||
| - | - WDSF Technique Books - Samba, Cha Cha Cha, Rumba, Paso Doble & Jive | ||
| - | |||
| - | **The following Rules apply to all dances** | ||
| - | |||
| - | - All technical details of figures should be sort from the technique books above. | ||
| - | - The basic timings are given, any alternative timings must be listed in the technique books for that figure. | ||
| - | - Any changes allowed to the figures are given in the NOTES below the figure. | ||
| - | - Figures must danced in its entirety, figures can't be freely cut into parts for use. A figure can't be added to or parts taken away, unless specifically allowed in the NOTES. | ||
| - | - Standardised holds, body positions and variations to these listed in the technique books must be used. | ||
| - | - Precedes & Follows listed in technique books must be adhered to. | ||
| - | - Only the listed figures on the Approved Syllabus can be used. | ||
| - | |||
| - | **Key to following figures** | ||
| - | |||
| - | * Figures in **BLACK** are in both ISTD & WDSF technique books & Syllabus | ||
| - | * Figures in **RED** are only in ISTD technique book & Syllabus | ||
| - | * Figures in **BLUE** are only in WDSF technique book & Syllabus | ||
| **Dances** | **Dances** | ||
| + | * [[syllabus: | ||
| * [[syllabus: | * [[syllabus: | ||
| * [[syllabus: | * [[syllabus: | ||
| Line 118: | Line 81: | ||
| * are permitted a reasonable relaxation of hold for the purpose of style and expression. The Technique (e.g. alignment, timing, positions of feet, amount of turn etc) must be maintained in all instances. | * are permitted a reasonable relaxation of hold for the purpose of style and expression. The Technique (e.g. alignment, timing, positions of feet, amount of turn etc) must be maintained in all instances. | ||
| - Reasonable relaxation allows for a release or relocation of the hand contact whilst retaining the general line or shape of categorised hold. It does NOT extend to the adoption of a different hold or the use of "NO HOLD" where a hold is described as part of the technique in the publications accepted as reference manuals by DSA. | - Reasonable relaxation allows for a release or relocation of the hand contact whilst retaining the general line or shape of categorised hold. It does NOT extend to the adoption of a different hold or the use of "NO HOLD" where a hold is described as part of the technique in the publications accepted as reference manuals by DSA. | ||
| + | |||
| + | \\ | ||
| + | ===== Reference ===== | ||
| + | |||
| + | * [[syllabus: | ||
syllabus/approved_syllabus.1782182470.txt.gz · Last modified: by dallas
